Oneohtrix Point Never is Daniel Lopatin, a US native whose work has brought him to the forefront of the modern electronic composition scene. Though Lopatin’s rise felt meteoric following his 2009 double-disc anthology "Rifts" and its 2010 follow-up "Returnal", his love of polyphonic synthesizers dates back to childhood jam sessions with his father’s Roland Juno-60, an instrument which, like B.B. King’s Lucille, he has never left behind.

"Replica", his latest effort, is an electronic song cycle based around audio procured from television advertisement compilations. These sample-based meditations are as lyrical as they are ecological, featuring re-purposed “ghost vocals” which serve as narration for Lopatin’s signature amorphous, ambient passages. Lopatin’s commitment to his Juno-60 is still on display, but the placid, synthetic surroundings of Returnal are accelerated via darker, propulsive terrains using samplers, analog filtering, tape manipulation, acoustic piano, plate reverb and sub-frequencies. In his own words, “Replica has as much to do with environmental, broadcasted, and club sounds that I was exposed to while on the road over the past couple years as it does with more direct musical influences.” The result is a heightened sense of music as part and parcel of an overall sonic landscape.