Availability: In stock
PRE-ORDER ITEM : Expected January 1st 1970. This item will only be shipped to you on or after the official release date. Please note any orders containing pre-order items won't be shipped until all items are available, so please order this separately to avoid delays. Please remember that release dates are at the mercy of labels, distributors, and pressing plants and will change constantly.
FORTHCOMING ITEM : Expected January 1st 1970. Please click the 'EMAIL ME WHEN AVAILABLE' button to be notified when the item is in stock. Please remember that release dates are at the mercy of labels, distributors, and pressing plants and will change constantly.
Phonica Records welcome the latest addition to their ever-growing stable of talent, Pick A Piper! The brainchild of one Brad Weber, usually found behind the drum-kit at Caribou’s live shows, Angus Fraser and Dan Roberts, Pick A Piper Combines dance-music structures, polyrhythmic percussion, atmospheric sound design, loopy melodies and a focus on electronics and production technique to create a sound poised between the organic and the synthetic and Phonica White have been blessed with two killer remixes to release on a limited stamped and numbered 12”.
On the A-side one half of Junior Boys and increasingly prolific producer in his own right, Jeremy Greenspan delivers his first ever solo remix! His reworking of “Lucid In Fjords” is one of the most epic tracks we’ve heard in a while – clocking in high on the BPM scale, Jeremy pulls out all the stops with an acid-tinged and dubby remix complete with covert pan flute sample.
On the flip Phonica fave Dan Snaith, dons his Caribou alias for an uncharacteristically abstract remix of “Once Were Leaves”. Moody and bass-heavy, it builds around two other-worldly vocal samples; one pitched down, one ethereal, working in tandem to create an atmospheric backdrop for Caribou’s downbeat drum programming. This is Caribou showing off a different side to his productions, one we personally would like to hear more of! Limited vinyl pressing of 444 copies – hand stamped and numbered. Special artwork by Pedro Carvalho de Almeida.
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