PRE-ORDER ITEM : Expected
November 30th -0001.
This item will only be shipped to you on or after the official release date. Please note any orders containing pre-order
items won't be shipped until all items are available, so please order this separately to avoid delays. Please remember
that release dates are at the mercy of labels, distributors, and pressing plants and will change constantly.
An epic sonic journey crossing classic Kompakt territory - from Pop Ambient to tuneful techno and house -, VAL MAIRA is not just the extended follow-up to DAVE DK's much-adored PALMAILLE 12" a release that already stood out for its almost uncanny emulation of Kompakt's more impressionist panoply, but a sonic achievement in its own right - a record as delicate as it is candid, deliberately showcasing all its strengths and dodges, but ultimately - magically - amounting to so much more than the mere sum of its parts. In many ways, VAL MAIRA is the perfect Kompakt record, albeit one that Kompakt never made. Until now. Dave's third full-length after his 2007 album on Moodmusic and a debut on Müller Records in 2000, this new offering named after a valley in the Italian mountains goes beyond admittedly impressive production skills, aiming for deeply personal expressiveness and emotional impact. From the tender dawning of opener FADE IN to the solid dance chops of enticingly grooving cuts like SMUKKE LYDE, NUEVA CANCION or COOLETTE, the record's preoccupation with the mutual dependencies of harmony and discord is quickly revealed. All the more surprising how all this planning and thinking translates into something as organic sounding and nearly self-emergent as HALMA, VEIRA or WHITEHILL, the latter featuring the distinctive (and decidedly human) vocals from PIPER DAVIS of Stimming fame. One could very well describe these tracks as both intimate and sociable at the same time, a rare combination that might also account for the vivid sonic storytelling present in cuts like KRONSEE (referring to an actual lake near Dave's birthplace) or WE MIX AT SIX, the synaesthetic retelling of a delayed party at the beaches of Barcelona, where someone spray-painted the title's vital information on a t-shirt swaying in the summerly breeze. Heavily influenced by film soundtracks, drone sounds and organic noise, DAVE DK obviously feels very close to the perpetual atmospheric hum in between sounds, finding hooks and grannies in the tiniest nooks and crannies - and to hear these eleven tracks lovingly intertwining their inspirations while seemingly creating nutrient-rich textures and meaningful melodies out of thin ether remains a riveting experience even after the nth play-back.