SVEN VATH

The 13th Season opens with Thomas Hoffding's auspicious voice, subtly arranged by Terranova and reworked by Adam Port. Young producer wAFF's grooves are more stable and demanding, the erotic female vocal luring us even deeper into the Cocoon, establishing the emotional density of classic New York House. Nobody manages to unleash the forces of the bass so wholeheartedly like Berlin's WK7, pushing the set into a more technoid direction. The turmoil that will take place on the dancefloor is anticipated by Margot's meandering acid track. The Tuff City Kids are pushing even further with striking, demanding chords. Octave One's unique, soulful grooves highlight the unrestrained force of the synthesizers. Ben Sims' slick groove is subduing the excitement, with enigmatic bleeps hovering over the dancefloor like an acoustic sculpture. Sam Paganini is moving even further in this direction, startling the dancers with sound from another galaxy. The obvious thing to do is now to push the crowd over the edge with a huge breakdown. But this is not what Väth does. By merging tracks from Sawlin, P.A.S. and Exercise One, he composes a powerful sequence: highly climactic and absolutely collected at the same time, it reaches beyond the vocabulary of peak time Techno. Dissolving into a tribal groove by Silent Servant and poetic sounds of Ray Kajioka, the first set is coming to its end.

The second CD starts off at an entirely different note. A sweet House sound is established by Makam. It's innocent, yet full of suggestion. The crowd is captured by the allure and grace of Dixon's edit of Romanthony's classical anthem, “The Wanderer”, and with &ME's vexing alien sounds, the ideal counterpoint is created. Julien Bracht is challenging the dancers with broken beats and seducing them with a longing vocal at the same time. The simplicity of Alejandro Mosso's mesmerizing melody finally disarms the crowd. Lawrence's intangible electronic sounds are pouring down on the dancers like rain in the midst of summer. Romanian Cocoon Hero Rhadoo is applying the brakes to the dancefloor's movement and controversially creates an irresistible motion. Unlike very few artists, Frankfurt's Roman Flügel manages to challenge the language of dance music. He merges the history and the future of House music in the most humorous way possible. Moving away from that playful sound, British electronic music maverick Four Tet strikes a rather demanding note. The heavy, bassy chords of Four Tet's turn into Uner's multi-layered diaphanous House sound, bursting with sun and light. Gathaspar is unifying the diverging energies with a pervasive soundscape. And Soy Mustafa and John Tejada have the final word: the dancefloor is taken away by their otherworldly serenity. In the end, the music is only a part of the adventure. Sven Väth creates a unique relationship with his crowd, leading us through experience like no one else.